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While the fashions have come and gone, hair metal’s shredding guitar licks, triumphant drum solos, and swaggering frontmen (and women) are timeless. Hot-headed and fueled by cocaine and alcohol, rock stars like the Motley Crue guys frequently got in brutal fights in both Strip clubs and parking lots. Amid all this madness, West Hollywood, and therefore the Sunset Strip, finally became a town. One would be climbing out the window while another was coming in the door.
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The dozens of balconies lining the Continental Hyatt House were often populated with visiting rock stars, including The Who, Rolling Stones, and Led Zeppelin. A rapper in Iran who came to fame over his lyrics about the 2022 death of Mahsa Amini and criticism of the Islamic Republic has been sentenced to death, his lawyer and rights activists said Thursday. After the clubs had closed for the night, the stars and their paramours decamped to hotels like Chateau Marmont and the Continental Hyatt House, which earned its nickname as the “Riot House” with its balcony antics alone. Our patented bands designed to secure your wigs and toppers while remaining comfortable. Here is a selection of four-star and five-star reviews from customers who were delighted with the products they found in this category.
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The Sunset Strip occupies a short stretch of Sunset Boulevard, but its reputation as a stomping ground of gangsters, glamour girls, rock stars, and hell-raisers has held an oversized fascination for decades. This is the final installment in a series exploring how the Strip became the playground of the famous—and infamous. Hotel staff had a remarkably lenient attitude toward these rock ‘n’ roll antics. Driving down the Sunset Strip in the 1970s could be hazardous to your health.
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Nothin’ But A Good Time: When Hair Bands Ruled The Sunset Strip
With bands such as Ratt, Great White, and Autograph rising to the top of the scene, and stalwarts the likes of Quiet Riot, Dokken, and Mötley Crüe finding themselves in heavy rotation on MTV, there seemed to be no end in sight. Between 1983 and 1986, “heavy metal” – as it was called before the distinction was made between the bands who played to angry young male crowds versus those who catered to the young women in attendance – ruled the world. A word-of-mouth scene generated on the streets of LA, hair metal might have cleaned up its act, but it retains a swagger that has timeless appeal. Word spread Wednesday after a report by Iran’s pro-reform Shargh newspaper said Salehi had been given a death sentence by a Revolutionary Court in Isfahan, a central Iranian city recently targeted by an apparent Israeli attack. Revolutionary Courts in Iran often involve closed-door hearings, secret evidence and few rights for those on trial. Click here to see more lightweight headband with free shipping included.
Opened in 1972 by Whisky impresarios Mario Maglieri and Elmer Valentine, it was financed by a group including Lou Adler and press agent Bob Gibson. The Rainbow served as what Walker calls a “round table of LA’s rock elite.” It was soon a popular hangout for the likes of John Belushi, Elton John, Ringo Starr, and John Lennon. Through his popular radio show and the English Disco, the soft-spoken, starry-eyed Bingenheimer, known as the “Mayor of the Sunset Strip,” would bring glam and glitter rock to Los Angeles.
Confusion still surrounds the sentence issued against 33-year-old metal shop worker Toomaj Salehi, as even the state-run Islamic Republic News Agency, or IRNA, and Iran’s judiciary did not formally confirm it. But the news quickly drew international criticism from the U.S. and United Nations, which pointed to it as a sign of Tehran’s continuing crackdown against all dissent after years of mass protests in the country. “In 1984, a coalition of gay men, Russian Jews and the elderly, spurred by the imminent expiration of L.A. The scene was just as intense over at The Rainbow, a mock Tudor-style Italian restaurant with a dance floor upstairs.
Less talented bands would be picked apart by a more active and knowledgeable fan base. Acts would appear on the charts then disappear overnight when it became clear they were nothing more than a studio creation, put together by labels for a quick cash grab. In the decades since, the Sunset Strip has cleaned up, got a job, and only wears eyeliner on the weekends. The venues are still there, playing host to reunion shows, new hard rock acts, and those looking to reminisce over sparkling water on their lost weekends on the Strip. Meanwhile, the hair bands that defined the scene still play to packed stadiums on lucrative world tours. The audiences (like the band) are just a little older and (maybe) wiser.
Soon, ballad after ballad appeared on once edgy, hedonistic and party-hearty tracklists. In short, the genre was no longer dictating to the audience but catering to it. And with any musical movement that experiences this role reversal, that was the beginning of the end. Mötley Crüe released Dr Feelgood, arguably the greatest hair metal album of all time. Bon Jovi gave us Slippery When Wet and became bigger than Michael Jackson for a period. And a little band named Guns N’ Roses hit the scene with Appetite For Destruction.
Soon, the kooky and shrewd Mitzi Shore would be playing den mother to a group of comic geniuses, including Robin Williams, Richard Pryor, and, later, Sam Kinison, and Andrew Dice Clay. In 1973, the upscale Roxy Theatre opened, backed by music industry heavyweights David Geffen, Elliot Roberts, and Lou Adler. Vices started out simple at first; however, it was the 80s and stimulants were rarely in short supply. Stories surfaced of hotel room blowouts, wrecked sports cars and, sadly, overdoses. But through it all, the music remained key to the movement’s success.
Coming from different parts of the country (and, in Leppard’s case, the world) these bands may have dabbled in the excess of the LA scene when they passed through but, in later years, would do their best to keep the similarities at arm’s length. In 1975, Randy Rhoads, arguably one of the greatest heavy metal guitarists of all time, laid down the foundation of a wall that his contemporary, Eddie Van Halen, would have to hurdle every night. The band Rhoads wailed for was Quiet Riot and they had the best gig in Los Angeles, opening for David Lee Roth and Van Halen. Both bands owed plenty to a handful of glamorous predecessors, including New York Dolls, Alice Cooper, and KISS, and were accomplished, driven musicians who cared more about the music than they did the fame. These included the rock ‘n’ roll venue Gazzarri’s, where Van Halen got its start, and the Comedy Store, which opened in 1972 at Ciro’s old home.
The venerable Whisky continued to rock, being the gold standard for new acts starting out on the Strip. Then there was the brief reign of Rodney Bingenheimer’s English Disco (first at 8171 Sunset and later at 7561 Sunset), which opened in 1972. The Sunset Strip of the 1970s was miles away from the whimsical peace and love of the mid-1960s.
Almost as a reaction to the new direction GNR were talking the scene, other bands strived to explore material beyond “pullin’ the pin of their love grenade”. At the pinnacle of this hair metal tradition is Poison’s ‘Every Rose Has Its Thorn’, an acoustic strummer that became the band’s biggest hit. After Poison’s success, every band sought out their sensitive side to have a power ballad of their own that could crossover into mainstream radio.
